I am interested in discovering how American culture has evolved in various parts of the country based on environment, migration patterns and cultural interest. Therefore, the purpose of the Kinship Project is to create a space where personal experiences and memories connected to a particular moment in history through community engagement, oral storytelling, and the photographic image.
By assuming the role of artist/archivist/anthropologist, I engage various communities to collaborate with me in developing new work by collecting personal stories through interview sessions. I then utilize the oral narratives and photographs as source material to develop multimedia installations and performances.
The goal of these artworks is to create a memorial to a historic moment, which reflects a significant component of a region’s culture.
These public interventions into my installations allow me to record the collective memory of a region, which grants insight into the contemporary interests of a community. My goal for developing historic art facilitation projects is to create an open space for sharing, contemplation, and dialog among diverse groups of people about their city.
The Kinship Project is a special collection which contains over 4000 candid & professional family pictures (vintage photos, scrapbooks, tintypes & digital images), mostly of African Americans from across the country. The collection also contains letters, maps, objects and audio story donations from Anchorage, AK; Charlotte, NC; Chicago, IL and Macon, GA.
Project Portfolio (click on image to view documentation)
A Jeli’s Tale: An Anthology of Kinship is an ethnographic photography record of African American families from 1900-2010. The purpose of this interactive installation is to allow the public to observe and reflect on the experiences portrayed within these found photographs collected from across the United States and abroad. The images are hung on a […]
We currently live in a time of transformation. Cities across the United States are in the process of tearing down blighted lower-income neighborhoods to replace them with contemporary mix-income communities. Although the intention of creating mix-income housing is to keep the original residents of the neighborhood in the area, the truth is only a fraction […]
Reminiscence was an art installation containing the life story of Vic Fischer, Alaskan urban planner and co-author of the Alaskan Constitution. Fischer’s narrative emanated from a glowing white tent to reference Anchorage’s origins as a tent community. Visitors viewed reconstructed stereoscopic photographs (circa 1950 to 1977) from regional documentary photographer Steve McClutchen. The selected […]
The Gatekeeper is the story of Sherry Williams, founder of the Bronzeville Historical Society (BHS). Bronzeville is the first African-American community in Chicago during the Great Migration. The Bronzeville Historical Society give tours and houses an archive of memorabilia from the Bronzeville community. The installation is housed within Faheem Majeed’s Shacks & Shanties project and […]
The Great Migration was an installation project consisting of family migration stories from three Chicago residents with photographs from the Kinship Project Archive. The project was installed in Faheem Majeed’s ‘How to Build a Shack’ cultural center project built on the roof of the Southside Hub of Production. Installation soundtrack – featuring the family […]
Topographical Depictions of the Bronzeville Renaissance (2014) was an interactive archival installation. I collected oral narratives and materials donated from the African American community in Bronzeville and gallery visitors to create an interactive topographical map installation at the Hyde Park Art Center. I spent a part of my residency in the gallery to construct a map […]